ALL POEMS
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Southeast Review
“Of Love”
Spring 2027
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Passages North
“Compromise”
Spring 2027
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Hayden's Ferry Review
“Every Poet Has A Love Affair With A Bridge”
July 2026
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Columbia Journal
“Placeholder”
Winter Contest Finalist
June 2026
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The Missouri Review
“Color Theory”
Editor’s Prize Finalist, March 2026
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North American Review
“Micropsia” (Print Only)
James Hearst Prize Winner, Selected by Danez Smith
February 2026
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Painted Bride Quarterly
“August”
January 2026
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Redivider
“The Room”
November 2025
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Diode Poetry Journal
“Symptomatic” and “At The Edge of Nothing”
October 2025
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Voicemail Poems
“Work Ghazal”
August, 2025
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AGNI
“Childhood”
April, 2025
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New Delta Review
“The Skier”
January, 2025
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Only Poems
"Sacrament", "Couples Therapy", "The Whole Story", "Clam Theory", "The Inheritence", "Lassos for Clouds", "Dispatch From the Future We Never Had"
January, 2025
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On The Seawall
“Body Language”, “Self-portrait as Sarcophagus with Nile File and Anger”, and “The End”
March, 2025
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Ploughshares
“Zuzgwang”
January 2025
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Shō Poetry Journal
“Before the News Hits”
January 2025
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wildness
"Driving Through Niles"
October 2024
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Waxwing
"Aria" “Sounding” “Syntax Study for Your Death” “Self-portrait as Snow Globe Figurine” and “The Sculptor”
July 2024
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Sixth Finch
“A Theory of Milkweed”
April 2024
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Florida Review
“I Woke Up Eating Donuts in the Rain”
April 2024
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POETRY Magazine
“Jarrett Moseley”
November 2023
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Diode Poetry Journal
“Directions” & “On The Anniversary of Marriage”
November 2023
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South Florida Poetry Journal
“Love Letter” & “Grief” & “Poem Written in Preparation for Death”
November 2023
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Baltimore Review
“A Possible Exit”
July 2023
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Islandia Journal
“Overheard Conversation on the Metro”
Apri 2023
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Poetry.onl
“After Surviving”
October 2022
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poets.org
“In This Strange Light”
August 2022
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Hobart After Dark
“Mary Says I’m Predictable”
May 2021
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SoFloPoJo // Maureen Seaton Issue
Two Collaborative Poems
March 2024
FEATURES
(click the photos to check them out)
BOOK REVIEWS
BOOK REVIEWS
Check out my book review of Gabrielle Bates’ Judas Goat in ANMLY LIT, “For the (complex) Image”